This is my hand and wheel project. It is an altered vase pitcher with a handle that I pulled separately. It is glazed with clear on the bottom half and shadow green on the top. Because the green didn't drip, the line between the two colors of the project is very abrupt. The lack of blend between the two colors makes a split in the project and stretches it out, making it appear taller. This project fits in with my tentative theme of experimentation because I rounded the bottom of a project for the first time because the odd shape of the lip wouldn't allow me to foot my pitcher.  

This is my plate. It is glazed with dark blue, clear and shadow green. It has  big curvy crack in the middle, which actually adds a little character. This project reflects my theme of experimentation because I've never done anything like it before. I played with mixing the blue and green on the edges and making more severe angles where the two colors meet. The complex glaze complements the very simple plate shape. 

This is my lidded vase. The body is stained with green and red flowers with a clear glaze, with the lid covered in red flowers. Because the project is so simple, the glaze is much more busy and complex. The varying sizes and angles of the flower stems create movement throughout the project. 

These are vases for my set of three. They are all glazed the same: with stained green flowers around the lip and the whole body glazed with clear. The simplicity of the glaze emphasizes the differing shape between the three vases. One is much more wide, one gets very skinny at the bottom, and one has a very minor belly shape in the middle. They also very slightly vary in height. But their basic shape, a vase, makes the three complement each other.